How To Properly Do Gain Staging in Logic Pro X.How To Properly Do Gain Staging in Logic Pro X
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Proper gain staging logic pro x free. Gain Staging In Logic Pro
Just as you could hit louder than 0dB back in the day and be fine, you can record louder than today and be just fine. What dbfs really is, is an average level.
This is what we are aiming for. If you plugged a guitar into your audio interface and started playing, you might have peaks hitting -6 and you would still be fine. Even though your peaks are hitting -6, your average level might only be If your average level coming in is dbfs, that is fine as well. You do this by setting the gain on your audio interface correctly. Even better would be to keep your peaks on each track to Doing this ensures that you have a good amount of signal level coming into your DAW, and also leaves you with a minimum of 6db of headroom.
The last thing I will add to this before you watch the video should you choose too is that you need to adjust your gain staging based on the source that you are recording. What I mean by that is this. If you are recording a bass guitar, or a vocalist, these are two very dynamic sources and levels will be all over the place depending on the bassist and the singer.
This is just the nature of it. Guitars with heavy distortion compress themselves, a lot. So use this as a general rule. If the source is very dynamic, make sure that it is peaking at no higher than I personally aim for If the source has little to no dynamics then aim for around ish. If you record a source with little to no dynamics and aim for -6, it will just be far too loud in relation to everything else and you will just end up having to turn it way down.
So you might as well record it a little lower going in. As you get better at recording, you will just know how loud a given source should be recorded at. Gain Staging in Logic Pro X. Tutorial Video. Feb 13 Written By Jeff Bastien. The History of Gain Staging. Gain Staging in the Modern World. Of course, this methodology is a guaranteed route to producing a loud mix , but even in the case of more compressed music styles like EDM, for example the lack of sonic headroom makes for a confined and restricted working environment.
As a result, many engineers are returning to a mixing and production workflow that values dynamic range and headroom — the art of Gain Staging, in other words. Assemble a collection of these loops into a composition, therefore, and before you know it, the Master fader is clipping red. A simple sign of bad Gain Staging, therefore, is either a Master Fader, or individual channel faders, dramatically attenuated below their unity position.
Put simply, Gain Staging is all about allowing Headroom in your mix, both on a track-by-track basis, but also in subsequent buses and, of course, the main stereo bus. The walkthrough illustrates a number of contrasting solutions you can take in Logic Pro X so as to actively Gain Stage your mix correctly.
Of course, the inevitable question for those that enjoy their music sounding hyped or compressed, is that whether good Gain Staging results in productions that lack edge? In the long run, therefore, something as relatively innocuous as Gain Staging could be the workflow change that makes all the difference!
Good metering is essential for effective Gain Staging, so try placing an instance of the Level Meter plug-in across the main bus.
Adjust the threshold to your preferred working level, which is usually dB. Once instantiated, lowered the Gain control paying attention to the levels on the Pre-Fade channel meters. Arguably the most elegant solution for Audio Tracks is the Region-based Gain control, which adjusts Gain on a region-by-region basis. If you got a lot of tracks to correct, Logic includes a handy tool for setting region gain.
The regions are then adjusted to dB on a per-track basis, rather than as individual regions. Opinion varies on what the optimal levels are for good mixing, but most solutions fall between dBFS and dBFS, and you can also take different views of whether this is average or peak levels. With the tracks correctly Gain Staged to dB, you can piece together a mix with plenty of headroom.
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